Organ Works (Selections)

Johann Sebastian Bach

Helmut Walcha /

late 1950s-early 1970s Stereo set

Gil's 'classic version' for the complete set. A 'from-the-horse's-mouth' interpretation that is 'grounded,' 'sensible,' and 'captivating,' with a 'wonderful-sounding, very well recorded' instrument.

Marie-Claire Alain /

late 1950s-early 1970s First of her three sets

An excellent alternative complete set. Also 'grounded' and 'logical,' but with 'a little bit more freshness' and 'flexibility' with tempos.

Helmut Walcha /

DG 'twofer' sampler from stereo set

Gil's 'first to recommend to anyone who's new to Bach organ.' A sampler from his classic stereo set featuring the most familiar works (Toccata & Fugue 565, Passacaglia 582, etc.).

Sello: Deutsche Grammophon

Karl Richter /

3-disc sampler

From the same Leipzig tradition as Walcha. Tends to be 'a little bit on the slower end,' resulting in 'really grand, powerful' interpretations, especially of the Passacaglia & Fugue.

E. Power Biggs /

1-CD sampler

'Fairly straightforward' interpretations with an 'exciting sound.' The instrument is 'more forward, more of a treble sound, emphasizing... brilliance rather than depth.'

John Butt /

2000 Sampler of Toccata & Fugues and Schübler Chorales

An 'exhilarating disc' with good programming. Played with 'a little bit more flexibility and freedom, sometimes a little bit faster,' and 'wonderful sound.'

Albert Schweitzer /

mid-1930s-early 1950s

A historical recording recommended for its 'extra personality and gusto.' The famous Toccata & Fugue in D minor is 'played with a lot of verve and passion.' The sound is 'limited.'