Organ Works (Selections)

Johann Sebastian Bach

Recordings

Top Choice

Helmut Walcha

late 1950s-early 1970s Stereo set

Gil's 'classic version' for the complete set. A 'from-the-horse's-mouth' interpretation that is 'grounded,' 'sensible,' and 'captivating,' with a 'wonderful-sounding, very well recorded' instrument.

Also Worth Hearing

Marie-Claire Alain

late 1950s-early 1970s First of her three sets

An excellent alternative complete set. Also 'grounded' and 'logical,' but with 'a little bit more freshness' and 'flexibility' with tempos.

Helmut Walcha

DG 'twofer' sampler from stereo set

Gil's 'first to recommend to anyone who's new to Bach organ.' A sampler from his classic stereo set featuring the most familiar works (Toccata & Fugue 565, Passacaglia 582, etc.).

Label: Deutsche Grammophon

Karl Richter

3-disc sampler

From the same Leipzig tradition as Walcha. Tends to be 'a little bit on the slower end,' resulting in 'really grand, powerful' interpretations, especially of the Passacaglia & Fugue.

E. Power Biggs

1-CD sampler

'Fairly straightforward' interpretations with an 'exciting sound.' The instrument is 'more forward, more of a treble sound, emphasizing... brilliance rather than depth.'

John Butt

2000 Sampler of Toccata & Fugues and Schübler Chorales

An 'exhilarating disc' with good programming. Played with 'a little bit more flexibility and freedom, sometimes a little bit faster,' and 'wonderful sound.'

Albert Schweitzer

mid-1930s-early 1950s

A historical recording recommended for its 'extra personality and gusto.' The famous Toccata & Fugue in D minor is 'played with a lot of verve and passion.' The sound is 'limited.'